The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). More specifically, the term "lute" can refer to an instrument from the family of European lutes. 2 in C minor - I PreludeĪ lute ( / lj uː t/ or / l uː t/) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. The CSO concert will feature numerous Chetham’s students, and for many of them, it will represent the end of their current musical studies before moving on to conservatoires and universities.Lute playing Bach, Lute Suite No. She’s going to be a role model to people and might inspire them to take up the instrument, which in itself is great.” “We’ve never had a recorder soloist in this way before. Her performance was to the most extraordinary level, and it was compelling like watching the theatre,” he said. “Anna has been with us for 10 years, and when she plays it it’s an extension of her voice, it’s beautiful to listen to.
#Instruments like a lute professional
“It’s encouraging that although the number of professional recorder players is dropping, new works are still being commissioned by celebrated contemporary composers,” Williams said. She will perform Richard Harvey’s Concerto Incanto. Williams said: “I can’t wait to perform with the Chetham’s Symphony Orchestra this summer and show people why I love the recorder.”
Redmond said Williams, 18, could act as a “role model”, and show others that there was “value in taking up and playing this instrument”. However, Anna Williams, one of the three students practising the instrument at Chetham’s, will be the first recorder soloist to perform with the Chetham’s Symphony Orchestra (CSO) in the Bridgewater Hall in Manchester in July. More recently, talented musicians like Tali Rubinstein are championing it and the National Youth Recorder Orchestra is an excellent ensemble of young recorder players.”Īnna Williams will be the first recorder soloist to perform with the Chetham’s Symphony Orchestra at the Bridgewater Hall in Manchester. “Not confined to the classical genre, bands like Led Zeppelin and the Beatles have used the recorder in their songs. As well as making beautiful sounds, it’s an accessible instrument in that it is low-cost, in comparison to other woodwind instruments, and it’s light and easy to carry. He said: “The recorder is increasingly overlooked by students, and yet it has a rich history and incredible versatility. You need these instruments to create the inspiration for music, and without that, there is less excitement for it and to learn music,” he said.Ĭhris Orton, a recorder tutor and chair of the ERTA, is leading the fight against the instrument’s extinction. “Like removing any plant or animal from an ecosystem, removing the recorder has a huge ripple effect beyond just the instrument. Redmond also said that this problem extended “beyond the recorder itself” and was a reflection of the future of music. “It’s one of the most accessible instruments, and the recorder is such a beautiful and refined instrument and there’s life way beyond the few lessons in primary schools.” Whereas the instruments that are more socially or orchestral based there has been a decline. “The ones which have really flourished are the ones spent more time alone playing. More pupils were taking up the piano or other solitary instruments, said Redmond. He added: “We did see a shortage of some instruments where maybe children were on the cusp of something and then Covid happened, and they didn’t join ensembles and they couldn’t progress.” “The idea of playing an instrument where you were projecting aerosols was frowned upon.”
“Covid had a significant part in its decline,” Redmond said. He blamed the pandemic for the decrease in the number of children taking up the recorder and other wind instruments in schools. Tom Redmond, the joint principal of Chetham’s school of music in Manchester, said only three of its pupils practised the recorder, compared with 15 a decade ago. The ERTA argues that if the recorder was good enough for the Beatles, it has a place in contemporary music today. So imperilled is the instrument’s future that the European Recorder Teachers Association is trying to spearhead its renaissance so it does not go the way of the lute.
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